Blues Letter  #22                                                         All The News That's Fit to Hear
 

Eddie 'Devilboy' Turner

HAPPY BOMBS

 

I finally got to hear me some Mary Russell last Thursday night.  I have but one word:  DAAAYUUUM!  She’s amazing (ok, I have more than one word).  She’s spectacular.  She’s really, really good.  The crowd had some difficulty staying in their seats, particularly me.  There was some considerable dancing going on, and with so many of us trying to bust our moves, I actually have a couple of bruises from bumping into people and vice versa.  Worth it.

 The entire band is first-class talent, and I will badger the hell out of all of you about coming to their next gig as soon as I know when that’s going to be.  They are one of the best feel-good bands I’ve heard in a long, long time, and I’m still feeling good (crazy about their cover of “Twist and Shout,” although I may have pulled something while twisting and shouting).  It was also nice to see my friend, Jerry Deall, sharing harp duties with David Chamberland. 

 There’s something about Mary.  A lot of people knew her, or at least seemed to, which gave the entire evening an intimate, private party feel to it.  By the end of the night, I had about a dozen new email addresses for subscriptions to the Blues Letter, and probably a couple of new friends (hi Andrea!  Don’t forget that conversation we need to have with Rex Peoples).  I also ran into a couple of old friends; they’ve known Mary for years, so even before the first set began, I heard, “You’re going to love her voice.”  I do. 

 Speaking of “I do,” I got a breathtaking surprise a couple of nights later from friends, the aforementioned Jerry Deall and the lovely Jackie Eberl.  We were all there to hear Eddie Devilboy Turner (more on him in a minute), but first Jerry and Jackie dropped a happy bomb on me: They decided it was time to make it official and they’re getting hitched!  I love sweet news.  Our best wishes to both of you.

 Speaking of the lovely Jackie (and one of my favorite dance partners), her birthday is a couple of days before Jason Ricci and New Blood storm the Outlook again (3/15), and as she and Jason and the boys are friends, we’re throwing her birthday a party to rival mine.  Mark your calendars for this one, folks, ‘cause it’s going to be off-the-hook fun!  Although, I still somehow doubt that Jerry will sit in with Jason.   For some reason, he’s convinced Jason is a better harp player.  Whatever.  All I know is March can’t get here fast enough.

 I also know that this is not the first engagement I’ve learned about at the Outlook; last month when Rex Peoples and the X Factr were tearing it up, Rex announced that his drummer, Randy Thompson, was marrying his gorgeous girlfriend, Yvette Richardson, a few days later, on December 22nd.  Congratulations you two!  I do believe you might be perfect for each other.  Can’t wait to see you next month (2/9) and hear all about the wedding (I wasn’t’ there, because for some reason they didn’t feel the need to invite someone they had just met to their wedding. Go figure). 

 Ok, so back to Devilboy.  There’s a bit of a contradiction in that moniker in that he plays and sings like an angel, with an imposing grace and tremendous style.  I bought Live At the Triple Door, and it’s a great live CD.  I’ll try and review it for you soon.  In the meantime, if you’re not already well-versed with this notable guitarist, visit his site.  Hopefully he’ll be back soon, as the dancing was going on.  It was an inspiring evening.  http://www.eddiedevilboy.com/

 So, did you notice that we have an abbreviated calendar on this page now?  It’s so I don’t have to keep repeating the bands and dates every week (thanks for the suggestion, Sharon!).  So as you can see, we have Johnny, Tempa, and Mojambus, oh my.  It’s going to be an excellent weekend, and unless Mother Universe bitch-slaps me to my knees with unforeseen circumstances, I plan to be there all three nights (although given the weather, I might have to leave the stockings at home). 

 Also, last week I gave you a link to George Whitesell and His All Stars featuring Jill Watkins.  Here is the preferred site.  www.amusiccompanyinc.com

 And, as promised, here’sthe first (and only) review I wrote on the Johnny O. Band last spring.  I think you’ll be able to tell that I really like this band.  They’ll be hitting the Outlook on 2/2.

Honey Sepeda

 

[Sidebar to Dan:  there is an urgent memo from me to you below.   Please respond accordingly and in a timely fashion.]

 

Dear Dan,

Although I try very hard to sync my bladder with the set break, that doesn’t always happen, and on occasion I simply have to make a trip to the restroom.  Whilst in there, I can’t hear the band because the house music is playing in the ladies’ room (and men’s as well, I presume).  I don’t think I should have to miss any music from all of our great bands just because I drink so much water.  Is there some remedy for this intolerable situation?

With love and affection,

Honey

Response
 

Dear Honey:

 
Another Great suggestion about the music in the restrooms.  I’ll get on it.  But you say you drink so much water.  Water?  Come on. Who do you think you are talking to here?

 
Hugs and kisses,

 
Dan

 

 

 
 
 

 


 
Brief History of "the Blues"

 
Blues is probably the purest American music ever produced – and along with its jazz counterpart – is the only true American music form. Its roots lie in the work songs of West African slaves in the South. When they toiled hard in the fields of South plantation owners, these slaves built a ‘call and response’ method of singing, thus lending rhythm to the drudgery of their lives. These came to be called ‘field hollers’ and became the basis of all blues music to follow. After the Civil War ended, the blacks could either work as field labor or become traveling minstrels. So quite a few ended up being the latter – performing at all-nighters, fish-frys and juke joints, relying on their stamina and mental repertoire of many blues songs.


Powerful Blues Music Is Officially Born


While the lyrics of blues songs seem soulful and sad, the music itself is quite powerful and emotive – filled with rhythm and celebrating the life of black Americans. What makes this kind of music appealing is its reflection of their daily lives, talking about sex, drinking, poverty, love lost, hard labor – anything they experienced.

Among the first documented blues is W C Handy’s “Memphis Blues” in 1909. The music grew in popularity and when the 78-RPM phonograph came in the late 1920’s Paramount, Aristocrat and other record labels recorded some of the famous country blues artists. Around 1941-1943, field recordings of blues men were made in their surroundings by famous blues folklorist Alan Lomax. This is significant because that’s how the white folks got introduced to the blues. Budding artists got exposure to some national record labels.


Blues Travels North


The blacks migrated North during the Great Depression along the route of the Illinois Central Railroad toward Chicago, bringing with them blues music. With huge crowds gathering to enjoy this, performers like Muddy Waters and Howlin’ Wolf switched to electric guitars and also included drum sets to their bands. This became even more powerful than the original blues. There was a lull until the late 1950’s when The Kingston Trio recorded the chart topper, Tom Dooley, and gave birth to the folk revival in 1958. The Newport Folk Festival then brought back folk and blues music to the white American people till 1966.

What followed later was a merging of blues with rock – forming the rock blues bands of the 1960s and 1970s. Some artists faithful to the form were The Rolling Stones, John Mayall, Led Zeppelin.


Types of Blues Music


There are four types of blues music. The Delta (or Country) blues is said to be the original – being played by the black men from the Mississippi delta region, using the piano or harmonica. The style was a call and response lyrical framing. Then we have the Chicago Blues, which used electric amplification of voice using mics, drum sets and electric guitars. The Texas Blues are similar to the Chicago blues. In the early 1960s originated the Blues-rock, which was directly influenced by the Delta and Chicago blues.







 
 
 
© Boulder Outlook Hotel 2007. This entire newsletter and its content is copyright.
Boulder Outlook Hotel & Suites, 800 28th Street,
Boulder, CO 80303, Tel: 1 303 443 3322
E-mail: Blue@boulderoutlook.com
http://www.BouldersHomeOfTheBlues.com